Robert Altman Movies

Robert Altman recounts the life of his wife Kathryn Reed, using the format of a documentary, with funny reenactments played by Reed's friends and...

Robert Altman's first film was this 26-minute short, which has a football coach explaining how to play the sport. This is basically an educational...

Sexuality without pretense gives the wallop to Events. A dramatic street story of young runaway flower-kids in the Greenwich Village of 1968, it...

1952 Robert Altman short film

Short humorous snippets of marijuana use.

20 years after a Second World War court-martial, a vet pulls a gun on the ruthless attorney who defended him, when the cynical mouthpiece, who...

Two lonely women coincide at midnight in a laundromat, where they reveal their secrets.

The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.

A promotional film for Ford's Model Agency, directed by Robert Altman, as a potential television pilot.

The Dirty Look is a 1954 comedy-short film, directed by Robert Altman, with Leonard Belove and William Frawley. Duration 24 minutes. This 1954 film...

A discussion of how the world has changed since Tanner ‘88.

About battles in the computer world of Seattle.

The famous rhythm and blues revue featuring such standards as the title song, "After You've Gone" and "In a Sentimental Mood," to name just a few,...

Robert Altman interviewed during the making of GOSFORD PARK (2001), as well as members of the cast and crew. Also, revealing behind the scenes...

A behind the scenes look at the shooting of a scene for Tanner on Tanner.

Interview with director Robert Altman about "Rashomon."

A look at the subjects of Tanner ‘88 and Tanner on Tanner.

Director Robert Altman and writer Garry Trudeau discuss their collaboration on Tanner ‘88 in a conversation recorded in June 2004.

Follows a gun and the different hands it falls into and the different characters that use it.

A look at the blending of fact and fiction in Tanner ‘88 and Tanner on Tanner.