Dirk de Bruyn Movies

Re-vue is a mutilated love-letter to the film’s form in address to the the act of seeing itself. It is shaped as a response to, and in dialogue...

Empire re-animates found historic stereographic photographs predominantly of Melbourne’s city centre between 1927 and 1940 when the colonial...

Dirk De Bruyn’s eleven-minute RemmbrME (2007) is a visually engaging film that documents in a painterly fashion the numerous gaps and...

An abstract play of light, colour, geometric shapes and patterns synchronised with synthesised music. The image patterns have been created by...

Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.

Dissociation is an abstract materialist film that has migrated from 16mm film to the digital. It is made up of scratches, half-baked images and...

The subject of Death of Place is 16mm film's direct on film techniques, migrated into the digital realm. Its story catches half articulated childhood...

This film re-animates stereoscopic images of Melbourne from the 1920s. Technically the film makes a statement about how each new iteration of moving...

A caravan of experimental imagery created from reaching deep in the soundtrack area of analog film stock.

Dirk de Bruyn explores the history of Australian storytelling; the unknown, the forgotten and the lies we tell ourselves.

A taxonomical crash course listing, ordering, classifying phrases, words, letter and numbers. A collision course of the domesic and fragments...

Groundbreaking experimental/avant garde travel diary essay film. A reflection on communication.

De Bruyn combines his particular filmic effect/interest (rhythm) with the tangible reality around him. In Homecomings there is an incredible sense of...

"...No photographed images. All handmade. It's all these squares, lines. The main techniques were bleaching and dyeing and sticking letraset material...

We are told at the beginning that “this film is dedicated to Len Lye” and indeed the camera-less techniques used here – various...

The roving eye in the crowd. Flickering sunlight. Fast forward. B4 it was seeing faint movement on the distant horizon. Now the skill is to see the...

An intense and sometimes disturbing series of encounters between the filmmaker and his mother as they relive the traumatic years of his childhood and...

The film follows walking feet and progresses to a preoccupation with the dancing shadow of the camera and the filmmaker. Much of the footage was...

A celebration of the offal of cinema, old films, old soundtracks, drawing directly on the film, using stamps and food-dyes to create discarded...

Frames like de Bruyn's other recent effort Cha-Hit (1986) is an overwhelming film constantly in motion, blitzing its audience with abstract visuals....