Dirk de Bruyn Movies

Feyers is Dirk de Bruyn's most complicated work employing the many techniques he has experimented with over the years. Appropriately subtitled 'a...

Dissociation is an abstract materialist film that has migrated from 16mm film to the digital. It is made up of scratches, half-baked images and...

de Bruyn uses animation, optical illusions, time lapse, solarization, hand tinting, flash frames, refilming and flicker effects, accompanied by a...

"'Rote Movie' is part of a series of works examining aspects of the traumatic experience. It is an examination of decay and forgetting, where what...

The story of Rick, a washing-machine serviceman, and his relationships with two very different women.

An experimental film showing various record covers. (AFW program notes)

Re-vue is a mutilated love-letter to the film’s form in address to the the act of seeing itself. It is shaped as a response to, and in dialogue...

The subject of Death of Place is 16mm film's direct on film techniques, migrated into the digital realm. Its story catches half articulated childhood...

WAP stands for White Australia Policy, a racist policy which limited migration into Australia into the nineteen fifties. This policy can be read as a...

Cut down to 16mm from a 35mm trailer for the movie Shaft, the slowed down voice, gunshot explosions and lsaac Hayes' iconic music become barely...

An intriguing exploration of the changing impact of speed on our ability to view an image and construct meaning and narrative.

film by Dirk de Bruyn & Glenn D’Cruz

A time-lapse document of a farmhouse in the Netherlands mapping the changing seasons, the light and shadows. Made with an interval-meter fashioned...

A diary film, chronicling six days in the life of a woman in her early 30's. A portrait of isolation, striving, rejection and hope.

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film...

Empire re-animates found historic stereographic photographs predominantly of Melbourne’s city centre between 1927 and 1940 when the colonial...

This film re-animates stereoscopic images of Melbourne from the 1920s. Technically the film makes a statement about how each new iteration of moving...

The film tries to 'destroy time' by the cyclical reworking of a short period of time. Gradually the image becomes less discernible and the flashing...

An experimental film dedicated to the "blink". Dynamic abstractions (created through the use of prodigious optical printing and directly working the...

Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.