Stephen Dwoskin Movies

Short experimental film by Stephen Dwoskin.

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and...

DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.

'The Sun and the Moon, a film fairy tale, is about two women’s terrifying encounter with ‘Otherness’ in the form of a man, abject...

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

Seeking in the archives of Robert Kramer, a detective, Keja Ho is looking for her deceased father. His ghostly presence haunts her search and...

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The...

Featuring Joan Adler (who also appears in Chinese Checkers), Soliloquy is one of the four early Stephen Dwoskin films that were awarded the Solvey...

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

Described by Stephen Dwoskin as "a documentary without being one," the basis of BEHINDERT is autobiographical: the story of a physically disabled man...

Reel 13 of Gérard Courant's on-going Cinematon series.

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

A summer in Beechdale Road. A meditation on the passage of time, the time in between things and the time spent together - and apart. The film was...

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes...

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with...