Hollis Frampton Movies

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

Upward shot from the ground perspective of a silo.

An experimental short film by Hollis Frampton of contrasting colours.

In GLORIA! Frampton juxtaposes nineteenth-century concerns with contemporary forms through the interfacing of a work of early cinema with a...

Michael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a...

A little boy celebrates his frog catch.

Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is...

An experimental short by Hollis Frampton who films the female form during various activities.

A short film by Hollis Frampton.

A man and a woman have been living together for six months. After disappearing for two days, the man returns and acts as if nothing has happened,...

A butchered cow is decapitated in this short film by Hollis Frampton.

A pendulum swings by until it comes to a complete stop.

Hollis Frampton alludes to origins and creation as he cuts between a garden featuring a bride and groom and an 1902 film entitled "A Little Piece of...

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

A film in three parts: a man talking while a telephone rings, a walking tour of New York, and a goldfish swimming.

Clouds roll by in a static haze.

"...Frampton travels to the purported birthplace of the Eisensteinian model of cinema, the fairground, with its 'montage of attractions'...ambulating...